The Professional Roles of Women Potters in Traditional Society: A Case of Erusu Akoko, Ondo State

The Professional Roles of Women Potters in Traditional Society: A Case of Erusu Akoko, Ondo State

Loading document ...
Page
of
Loading page ...

Author(s)

Author(s): O. A. Fatuyi

Download Full PDF Read Complete Article

DOI: 10.18483/ijSci.1954 19 156 13-18 Volume 8 - Apr 2019

Abstract

Pottery is one of the traditional crafts widely practised in Nigeria even till date especially in the South-western part dominated by the Yoruba speaking people. There is little doubt that the professional roles that female potters take in several local communities hold social-economic importance which deserves more attention than has been accorded. This article attempts to review the state of traditional pottery production in South-western Nigeria with a special focus on a surviving pottery tradition of Erusu Akoko, Ondo state. In particular, the paper demonstrates the pottery production technique still practiced by women potters in the study area. It is observable that the current state of the craft raises grave concerns of survival as traditional potters are ageing in the face of the modern-day technology.

References

  1. Adepegba C.O. (1995). Nigerian Art: Its Traditional and Modern Tendencies. Ibadan, Nigeria: Jodad Publishers.
  2. Barley, N. (1984). Placing the West African Potter. In Picton J. (ed.), Earthenware in Asia and Africa. London.
  3. Berns, M.C. (1989). Ceramic Arts in Africa. African Arts, 22(2), 32-37.
  4. Berzock, K.B. (2007). Ceramic Arts in Africa: A Curator’s Perspective. African Arts, 40 (1), 10-17.
  5. Cardew, M. (1972). “Ladi Kwale.” Craft Horizons 32 (2):34–7.
  6. Clarke, W.H. (1972). Travels and Explorations in Yoruba land, 1854-1858. J.A. Atanda (ed), Ibadan: University Press.
  7. Drewal, H.J. and Schildkrout, E. (2010). Kingdom of Ife: Sculptures from West Africa. London: The British Museum Press.
  8. Fajuyigbe M.O. and Umoru-Oke, N.A. (2005). The Influence of Pottery Tradition of the Department of Fine Arts, Obafemi Awolowo University, Ile-Ife: Development, Techniques and Innovation. In Aremu P.S.O. et.al (eds) Contemporary Issues in Nigeria Art: Its History and Education. Ile-Ife, Nigeria: Department of Fine Arts, Obafemi Awolowo University, 24-37.
  9. Gavin, R.J. (1977). The Impact of Colonial Rule on the Ilorin Economy, 1897-1930. Centre-Point Journal, 1.
  10. Ibigbami, R.I. (1981). Traditional Pottery in Yoruba Culture. Black Orpheus. 4 (1): 12-19.
  11. Kalilu R.O.R., Akintonde, M.A. and Ayodele, O. (2006). Ceramics: Art and Technology in the 21st Century South Western Nigeria. Agege, Nigeria: Pemilter.
  12. Kashim, I.B. and Shado, A.S. (2017). Adaptation Prospects of Traditional Pottery Practice In Contemporary Erusu Akoko. International Journal of Humanities & Social Science: Insights & Transformations, 3 (2), 1-10.
  13. Olajuyigbe, A.E. (2016). Community Participation and Sustainability Issue: An Evaluation of a Donor-Driven Water Sector in Ikaram Millenium Village Project, Nigeria. Open Journal of Social Sciences, 4(4), 90-103.
  14. Saidat, A. (2011). c. 69 years, Personal Interview, Ode-Afanda, Ilorin
  15. St. Clair, W. (1994) Imperialism and Traditional African Culture. Cambridge: Cambridge University Press.
  16. Ukaegbe, I.A. (1963). Village Pottery in Eastern Nigeria. Egg: Students Magazine. 42- 45.

Cite this Article:

  • BibTex
  • RIS
  • APA
  • Harvard
  • IEEE
  • MLA
  • Vancouver
  • Chicago

International Journal of Sciences is Open Access Journal.
This article is licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) License.
Author(s) retain the copyrights of this article, though, publication rights are with Alkhaer Publications.

Search Articles

Issue May 2019

Volume 8, May 2019


Table of Contents


Order Print Copy

World-wide Delivery is FREE

Share this Issue with Friends:


Submit your Paper